“Cultural appropriation” is a leading contender for the most overused phrase of 2017. Originally employed by academics in postcolonial studies to describe the adoption of one culture’s creative expressions by another, the term has evolved to mean the theft or exploitation of an ethnic culture or history by persons of white European heritage. Continue reading…
In the smash Broadway musical Hamilton, Alexander’s wife Eliza begs him, “Let me be a part of the narrative.” This heartbreaking scene has to do with their marriage and his obsessive work on behalf of the new country he’s helping to build. But, it can also be interpreted as a broader plea. In the American Revolution, as in France’s and later Russia’s, women worked alongside their husbands to attain independence, only to find that when the dust settled, they were back where they started. One patriarchy had simply been replaced by another.
Despite nearly a half-dozen elections in as many years, the Greeks are still no closer to solving their debt crisis. The newly re-elected government under Alexis Tsipras must fix a country that has over 25% unemployment, an economy that has shrunk by about 30% since 2008 and a national debt that amounts to almost 200% of gross domestic product.
One issue stands out: tax evasion. Nearly a quarter of the country’s GDP is off the books. State revenue for 2015 is already $4.5 billion below target. This is nothing new for the Greeks, who have been dodging taxes for centuries, nonpayment having been a sign of patriotism during Ottoman rule (1453-1821).
Tax evasion has been around since ancient Mesopotamia, when the Sumerians were cheerfully working the black market. A 19th-century B.C. Sumerian cuneiform tablet warns that a trader named Pushuken has been imprisoned for receiving smuggled goods. “The guards are strong,” continues the writer of the tablet, “please don’t smuggle anything else.”