Last year, I was one the judges for the Man Booker literary prize. It didn’t matter that I am not a novelist. The experience of great writing is a universal pleasure. All writers feel a thrill when they encounter a work that has been beautifully crafted. I felt it while watching “Philomena.”
On one level the story is a straightforward biopic: a working-class woman spends a lifetime looking for the son she was forced to give up for adoption. Yet, behind the apparent simplicity of the film lies a rich layer of theatrical craft. The writers took two potential problems — the circuitous nature of the story and the missing voice of the son — and turned them into virtues. Continue reading…