‘A Brief History of Lemonade’ by Amanda Foreman – The Wall Street Journal

ILLUSTRATION: THOMAS FUCHS

The lemonade stand has symbolized American childhood and values for more than a century. Norman Rockwell even created a classic 1950s drawing of children getting their first taste of capitalism with the help of a little sugar and lemon. Yet like apple pie, the lemonade stand is far older than America itself.

The lemon’s origins remain uncertain. A related fruit with far less juice, the citron, slowly migrated west until it reached Rome in the first few centuries A.D. Citrons were prestige items for the rich, prized for their smell, supposed medicinal virtues and ability to keep away moths. Emperor Nero supposedly ate citrons not because he liked the taste but because he believed that they offered protection against poisoning. Continue reading…

“The Song-Cycle Ancestors of ‘Sgt. Pepper’” by Amanda Foreman – The Wall Street Journal

The cover art for ‘Sgt. Pepper’s Lonely Hearts Club Band.’ PHOTO: © APPLE CORPS LTD.

When the Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” turned 50 on June 1, many critics and music lovers praised it as a work that both helped to create the modern concept album and became the anthem for the Summer of Love generation. From the innovative cover design to the musical mashups that included a 40-piece orchestra and a “kazoo” made of toilet paper and a comb, “Sgt. Pepper” seemed to be all about change and freedom. Continue reading…

‘The Art of Partying, From Socrates to Capote’ – The Wall Street Journal

Frank Sinatra and his wife, actress Mia Farrow, as they arrive at Truman Capote's Black and White Ball.

Frank Sinatra and his wife, actress Mia Farrow, as they arrive at Truman Capote’s Black and White Ball.

Last week marked the 50th anniversary of the most famous (or infamous) Hollywood-arts-money-politics-celebrity mash-up of the 20th century. What made Truman Capote’s Black and White Ball at New York’s Plaza Hotel in 1966 so special was the way he managed to bring together power players from every section of American society, from McGeorge Bundy (who had recently left the post of White House national security adviser) to Frank Sinatra. Some say that the ball inaugurated the era of the celebrity A-list. Continue reading…

‘How to Fake It in America’ – The Wall Street Journal

Peter Arkle

Peter Arkle

The philosopher Gilbert Ryle coined the term “ghost in the machine” to make fun ofDescartes’ influential idea that the human mind (“the ghost”) is utterly separate from the body. But it was the English rock band The Police who popularized the expression, making it the title of their classic 1981 album. Today “ghost in the machine” shows up everywhere. It has become a metaphor for the assorted forms of fakery that are constantly revealed in the mashup of modern culture.

The anger directed at Beyoncé for lip-syncing the national anthem during President Barack Obama’s inauguration in January reflected the country’s disgust with performers who fake it. The mere hint that a singer is no more than a dancing puppet can create a scandal—or even end a career. As the disgraced front men of the 1980s pop act Milli Vanilli will attest, you can’t pretend to perform and keep your Grammy. Continue reading…