The Wall Street Journal: Amanda Foreman on five novels about the status of women

Amanda ForemanThe Tale of Genji
By Murasaki Shikibu (c. 1000)

1 . “The Tale of Genji” is the world’s first novel in any language, which is all the more remarkable considering that until the Heian era (794-1185) there was no native written tradition in Japan. The male educated elite wrote in Chinese, a language forbidden to peasants and women. In frustration, Heian elite women invented their own form of writing by transliterating Chinese characters into Kana, a form of phonetic Japanese speech. Murasaki Shikibu (c. 973-1014), a lady in waiting at the imperial court, transformed that desperate act of the dispossessed into the purest expression of aesthetic genius. The result is that Heian culture is the only one in the world that was conceived and curated by women. The greatness of the novel lies in its astute psychological portraits and exquisite evocation of time and place. But at its core lies a meditation on the female condition—on whether there can be any meaning in a life of gilded isolation.

The Book of the City of Ladies
By Christine de Pizan (c. 1400)

2. French Renaissance writer Christine de Pizan (1364-1430) was not only the first female political philosopher in history but also the first writer to do battle with the misogyny of medieval Europe. Her “Book of the City of Ladies” is an unflinching defense of womanhood. She wrote it, she claimed, so that no woman would ever have to feel the shame that she herself experienced after reading endless denunciations of the female sex. From Aristotle down to Boccaccio, the message was clear—women are morally wicked and intellectually inferior. The book is, all told, a remarkable work, not least for its audacity: The author delivers, slipped between inspirational histories of female paragons, the first enunciation of “no means no”: “It therefore angers and upsets me when men claim that women want to be raped . . . that it could give women any pleasure to be treated in such a vile way.” Continue reading…

BBC History Magazine: 5 female trailblazers in history

This article was first published in the August 2015 issue of BBC History Magazine.

1) Enheduanna: Priestess, poet, princess, and the first named writer (c2285–2250 BC)

The daughter of the Mesopotamian king Sargon the Great, the Akkadian who unified central and southern Mesopotamia, Enheduanna was appointed high priestess by her father in a bid to prove his right as the empire’s ruler.

Enheduanna was the unifier. The Sumerian civilisation of southern Mesopotamia had been conquered but the two peoples needed to be melded into one empire. It was her job, as high priestess, to use her religious power and influence to unite them.

But Enheduanna is not remarkable only for the power that she wielded, she was also an accomplished writer who is widely recognised as being the first known person to attach a signature to her written works.

Enheduanna makes an offering to the gods in this votive plaque from c2300–2275 BC. © Penn Museum Continue reading…

The Pool: Why are women so absent from history?

Photo: Stencil of Mary Wollstonecraft by Stewy on Newington Green wall from Rex Features

Photo: Stencil of Mary Wollstonecraft by Stewy on Newington Green wall from Rex Features

Since ancient times, it has been the practice of the victors to obliterate the culture of the losers. The images of ISIS destroying the world’s historical monuments are a sad reminder of the totalitarian nature of conquest.

The first cultural conquest wasn’t of a nation or tribe however, it was of women and specifically their means to self-expression. In the 23rd Century BC, the high priestess of Sumer, Enheduanna, invented literature. She was the first person to realise that writing could do more than record a contract, send a message, or convey facts.  It was her genius and vision that resulted in the creation of the poet, poetry, and literary form.

Sargon the Great, her father, had appointed Enheduanna high priestess in the hope that she would be able to help him unite the disparate cities of Sumer into a single functioning empire. She more than rose to the challenge, using religious poetry to create a unified theological tradition that embraced all the Sumerian gods and goddesses under one political entity, the rule of Sargon.

Continue reading…