WSJ Historically Speaking: A Valentine to the Bad Boys of Literature

Among the ancient Greeks, the greatest ‘bad boy’ of them all was Zeus. PHOTO: GETTY IMAGES

Among the ancient Greeks, the greatest ‘bad boy’ of them all was Zeus. PHOTO: GETTY IMAGES

In “Pride and Prejudice” Jane Austen highlighted a truth not universally acknowledged when she made Elizabeth Bennett fall for the dark and brooding Mr. Darcy rather than for a sweet-tempered suitor like her sister Jane’s Mr. Bingley.

Readers just love the bad boys. As Lady Caroline Lamb once said about her lover Lord Byron, it’s the men who are “mad, bad and dangerous to know” who set the heart racing.

Among the ancient Greeks, the greatest “bad boy” of them all was Zeus, who had his wicked way with innumerable nymphs and princesses, though his Olympian brothers were little better. For sheer priapic energy, however, the prize goes to Gilgamesh, god and hero of the Sumerian epic that bears his name. His lust, we’re told, left “no virgin to her lover, neither the warrior’s daughter nor the wife of the noble.” Continue reading…

WSJ Historically Speaking: Comets Chill and Cheer Throughout History

Halley’s Comet in 1997. In 1304 the Florentine artist Giotto di Bondone created a controversy when he painted the star of Bethlehem as a comet flying over the stable PHOTO: F. CARTER SMITH/SYGMA/CORBIS

Halley’s Comet in 1997. In 1304 the Florentine artist Giotto di Bondone created a controversy when he painted the star of Bethlehem as a comet flying over the stable PHOTO: F. CARTER SMITH/SYGMA/CORBIS

“O star of wonder. Star of night. Star with royal beauty bright.” But what star, exactly, were the Magi, the three wise men, following as they traveled east in search of baby Jesus? The question has intrigued astronomers, theologians and philosophers for two millennia.

In 1304 the Florentine artist Giotto di Bondone (1267–1337) started a minirevolution when he painted the star of Bethlehem as a comet flying over the stable. It is thought that the appearance of Halley’s comet in 1301 inspired Giotto to make the connection. It seems to have been the first time that anyone—in art at least—had dared to associate the Nativity with a comet. Rather than being a cause for rejoicing, comets had long been considered an omen of death, disaster and disease. Continue reading…