The Telegraph: Don’t sneer at historical fiction, it’s keeping the past alive

I know it’s old hat to complain that students are becoming more stupid by the hour. But can you blame me when the Cambridge historian John Guy revealed to a Hay Festival audience this week that he keeps meeting prospective students who admit to knowing nothing of Tudor politics outside of Hilary Mantel’s novels.

I mean, what idiot turns up unprepared for an Oxbridge history interview and expects to be taken seriously? When you’re applying to one of the world’s best universities, do you a) read voraciously to ensure that you outsmart the competition, or b) parade your total ignorance of even the most basic tenets of your chosen discipline?

This shouldn’t need spelling out, but here goes: if you plan on discussing a particular era, then make an effort to know it before the interview. Read the books of at least two different academics and have an opinion on whose arguments you find most persuasive. Continue reading…

WSJ Historically Speaking: As You Dislike It: The Anti-Shakespeare Club

Why people still brush up on their Shakespeare. PHOTO: HULTON ARCHIVE/GETTY IMAGES

Why people still brush up on their Shakespeare. PHOTO: HULTON ARCHIVE/GETTY IMAGES

In David Lodge’s 1975 novel “Changing Places,” a group of university professors play a party game called Humiliation, competing to see who has read the fewest great works of literature. A professor of English literature is in the lead, having declared his ignorance of Longfellow’s “Song of Hiawatha,” when Harold Ringbaum, a man with “a pathological urge to succeed,” declares that he’s never read “Hamlet.” The more he insists, the more the others scoff—until Ringbaum angrily swears a solemn oath to the fact, by which time everyone is stone cold sober with embarrassment.

Ringbaum’s faux pas neatly sums up Shakespeare’s towering presence in modern culture—underlined by the tempest of celebrations marking the 400th anniversary of the Bard’s death, which falls on Saturday. His reputation exists on a plane separate from other writers. With apologies to a speech from “Richard II,” Shakespeare himself has become a precious stone set in a silver sea of words.

Yet over the centuries, a surprising roster of famous writers and celebrated personages has picked quarrels with the Man from Stratford. Though complaints about the Bard have run the gamut from the moral to the artistic, one type is almost unique to him. I call it WAMS, or the What-About-Me Syndrome.

Among the first to suffer its ravages was Shakespeare’s friend, fellow dramatist and eventual British poet laureate Continue reading…

WSJ Historically Speaking: Comets Chill and Cheer Throughout History

Halley’s Comet in 1997. In 1304 the Florentine artist Giotto di Bondone created a controversy when he painted the star of Bethlehem as a comet flying over the stable PHOTO: F. CARTER SMITH/SYGMA/CORBIS

Halley’s Comet in 1997. In 1304 the Florentine artist Giotto di Bondone created a controversy when he painted the star of Bethlehem as a comet flying over the stable PHOTO: F. CARTER SMITH/SYGMA/CORBIS

“O star of wonder. Star of night. Star with royal beauty bright.” But what star, exactly, were the Magi, the three wise men, following as they traveled east in search of baby Jesus? The question has intrigued astronomers, theologians and philosophers for two millennia.

In 1304 the Florentine artist Giotto di Bondone (1267–1337) started a minirevolution when he painted the star of Bethlehem as a comet flying over the stable. It is thought that the appearance of Halley’s comet in 1301 inspired Giotto to make the connection. It seems to have been the first time that anyone—in art at least—had dared to associate the Nativity with a comet. Rather than being a cause for rejoicing, comets had long been considered an omen of death, disaster and disease. Continue reading…