Historically Speaking: The Ancient Origins of the Christmas Wreath

Before they became a holiday symbol, wreaths were used to celebrate Egyptian gods, victorious Roman generals and the winter solstice.

On Christmas Eve, 1843, three ghosts visited Ebenezer Scrooge in the Charles Dickens novella “A Christmas Carol” and changed Christmas forever. Dickens is often credited with “inventing” the modern idea of Christmas because he popularized and reinvigorated such beloved traditions as the turkey feast, singing carols and saying “Merry Christmas.”

But one tradition for which he cannot take credit is the ubiquitous Christmas wreath, whose pedigree goes back many centuries, even to pre-Christian times.

ILLUSTRATION: THOMAS FUCHS

Wreaths can be found in almost every ancient culture and were worn or hung for many purposes. In Egypt, participants in the festival of Sokar, a god of the underworld, wore onion wreaths because the vegetable was venerated as a symbol of eternal life. The Greeks awarded laurel wreaths to the winners of competitions because the laurel tree was sacred to Apollo, the god of poetry and athletics. The Romans bestowed them on emperors and victorious generals.

Fixing wreaths and boughs onto doorposts to bring good luck was another widely practiced tradition. As early as the 6th century, Lunar New Year celebrants in central China would decorate their doors with young willow branches, a symbol of immortality and rebirth.

The early Christians did not, as might be assumed, create the Yuletide wreath. That was the pagan Vikings. They celebrated the winter solstice with mistletoe, evergreen wreaths made of holly and ivy, and 12 days of feasting, all of which were subsequently turned into Christian symbols. Holly, for example, has often been equated with the crown of thorns. Perhaps not surprisingly for the people who also introduced the words “knife,” “slaughter” and “berserk,” one Viking custom involved setting the Yuletide wreath on fire in the hope of attracting the sun’s attention.

Across northern Europe, the Norse wreath was eventually absorbed into the Christian calendar as the Advent wreath, symbolizing the four weeks before Christmas. It became part of German culture in 1839, when Johann Hinrich Wichern, a Lutheran pastor in Hamburg, captured the public’s imagination with his enormous Advent wreath. Made with a cartwheel and 24 candles, it was intended to help the children at his orphanage count the days to Christmas.

German immigrants to the U.S. brought the Advent wreath with them. Still, while Americans might accept a candlelit wreath inside the house, door wreaths were rare, especially in former Puritan strongholds such as Boston. The whiff of disapproval hung about until 1935, when Colonial Williamsburg appointed Louise B. Fisher, an underemployed and overqualified professor’s wife, to be its head of flowers and decorations. Inspired by her love of 15th-century Italian art, Fisher allowed her wreath designs to run riot on the excuse that she was only adding fruits and other whimsies that had been available during the Colonial era.

Thousands of visitors saw her designs and returned home to copy them. Like Wichern, she helped inspire a whole generation to be unapologetically joyous with their wreaths. Thanks in part to her efforts, America’s front doors are a thing to behold at this time of year, proving that it’s never too late to pour new energy into an old tradition.

Historically Speaking: A Tale of Two Hats

Napoleon’s bicorne and Santa Claus’s red cap both trace their origins to the felted headgear worn in Asia Minor thousands of years ago.

December makes me think of hats—well, one hat in particular. Not Napoleon’s bicorne hat, an original of which (just in time for Ridley Scott’s movie) sold for $2.1 million at an auction last month in France, but Santa’s hat.

The two aren’t as different as you might imagine. They share the same origins and, improbably, tell a similar story. Both owe their existence to the invention of felt, a densely matted textile. The technique of felting was developed several thousand years ago by the nomads of Central Asia. Since felt stays waterproof and keeps its shape, it could be used to make tents, padding and clothes.

The ancient Phrygians of Asia Minor were famous for their conical felt hats, which resemble the Santa cap but with the peak curving upward and forwards. Greek artists used them to indicate a barbarian. The Romans adopted a red, flat-headed version, the pileus, which they bestowed on freed slaves.

Although the Phrygian style never went out of fashion, felt was largely unknown in Western Europe until the Crusades. Its introduction released a torrent of creativity, but nothing matched the sensation created by the hat worn by King Charles VII of France in 1449. At a celebration to mark the French victory over the English in Normandy, he appeared in a fabulously expensive, wide-brimmed, felted beaver-fur hat imported from the Low Countries. Beaver hats were not unknown; the show-off merchant in Chaucer’s “Canterbury Tales” flaunts a “Flandrish beaver hat.” But after Charles, everyone wanted one.

Hat brims got wider with each decade, but even beaver fur is subject to gravity. By the 17th century, wearers of the “cavalier hat” had to cock or fold up one or both sides for stability. Thus emerged the gentleman’s three-sided cocked hat, or tricorne, as it later became known—the ultimate divider between the haves and the have-nots.

The Phrygian hat resurfaced in the 18th century as the red “Liberty Cap.” Its historical connections made it the headgear of choice for rebels and revolutionaries. During the Reign of Terror, any Frenchman who valued his head wore a Liberty Cap. But afterward, it became synonymous with extreme radicalism and disappeared. In the meantime, the hated tricorne had been replaced by the less inflammatory top hat. It was only naval and military men, like Napoleon, who could get away with the bicorne.

The wide-brimmed felted beaver hat was resurrected in the 1860s by John B. Stetson, then a gold prospector in Colorado. Using the felting techniques taught to him by his hatter father, Stetson made himself an all-weather head protector, turning the former advertisement for privilege into the iconic hat of the American cowboy.

Thomas Nast, the Civil War caricaturist and father of Santa Claus’s modern image, performed a similar rehabilitation on the Phrygian cap. To give his Santa a far-away but still benign look, he gave him a semi-Phrygian crossed with a camauro, the medieval clergyman’s cap. Subsequent artists exaggerated the peak and cocked it back, like a nightcap. Thus the red cap of revolution became the cartoon version of Christmas.

In this tale of two hats lies a possible rejoinder to the cry in T.S. Eliot’s “The Waste Land”: “Who is the third who walks always beside you?” It is history, invisible yet present, protean yet permanent—and sometimes atop Santa’s head.

Historically Speaking: The Noble Elf Has a Devilish Alter-Ego

Pointy-eared magical creatures abound in folklore, but they weren’t always cute

The Wall Street Journal

September 8, 2022

“The Rings of Power” series, Amazon’s prequel to J.R.R. Tolkien’s fantasy epic, “The Lord of the Rings,” reserves a central role for heroic elves. Members of this tall, immortal race are distinguished by their beauty and wisdom and bear little resemblance to the merry, diminutive helpers in Santa’s workshop.

Yet both are called elves. One reason for the confusion is that the idea of pointy-eared magical beings has never been culturally specific. The ancient Greeks didn’t have elves per se, but their myths did include sex-mad satyrs, Dionysian half-human-half-animal nature spirits whose ears were pointed like a horse’s.

Before their conversion to Christianity, the Anglo-Saxons, like their Norse ancestors, believed in magical beings such as water spirits, elves and dragons. Later, in the epic poem Beowulf, written down around 1000, the “ylfe” is among the monsters spawned by the biblical Cain.

Benjamin Walker as Gil-galad, High King of the Elves of the West, in “The Rings of Power”
PHOTO: AMAZON STUDIOS

The best accounts of the early Norse myths come from two medieval Icelandic collections known as the Eddas, which are overlaid with Christian cosmology. The Prose Edda divided elves into the “light elves,” who are fair and wondrous, and the “dark elves,” who live underground and are interchangeable with dwarves. Both kinds appeared in medieval tales to torment or, occasionally, help humans.

When not portrayed as the cause of unexplained illnesses, elves were avatars for sexual desire. In Chaucer’s comic tale, the lusty “Wife of Bath” describes the elf queen as sex personified and then complains that the friars have chased all the fair folk away.

The popular conception of elves continued to evolve during the Renaissance under the influence of French “faerie” folklore, Celtic myths and newly available translations of Ovid’s “Metamorphoses” and Virgil’s “Georgics.” Shakespeare took something from almost every tradition in “A Midsummer Night’s Dream,” from Puck the naughty little sprite to Queen Titania, seductress of hapless humans.

But while elves were becoming smaller and cuter in English literature, in Northern Europe they retained their malevolence. Inspired by the Germanic folk tale of the Elf King who preys on little children, in 1782 Goethe composed “Der Erlkonig,” about a boy’s terror as he is chased through the forest to his death. Schubert liked the ballad so much that he set it to music.

In the 19th century, the Brothers Grimm, Jacob and Wilhelm, along with Hans Christian Andersen, brought ancient fairy tales and folk whimsy to a world eager for relief from rampant industrialization. The Grimms put a cheerful face on capitalism with the story of a cobbler and the industrious elves who work to make him wealthy. Clement Clarke Moore made elves the consumer’s friend in his night-before-Christmas poem, “A Visit From St. Nicholas,” where a “jolly old elf” stuffs every stocking with toys.

On the more serious side, the first English translation of Beowulf appeared in 1837, marking the beginning of the Victorians’ obsession with the supernatural and all things gothic. The poem’s negative connotation surrounding elves burst into the open with Richard Wagner’s Ring Cycle, based on Germanic legends, which portrayed the Elf King Alberich as an evil dwarf.

The elfin future would likely have been silly or satanic were it not for Tolkien’s restoration of the “light elf” tradition. For now, at least, the lovely royal elf Galadriel rules.

Historically Speaking: The Martini’s Contribution to Civilization

The cocktail was invented in the U.S., but it soon became a worldwide symbol of sophistication.

Wall Street Journal

December 18, 2020

In 1887, the Chicago Tribune hailed the martini as the quintessential Christmas drink, reminding readers that it is “made of Vermouth, Booth’s Gin, and Angostura Bitters.” That remains the classic recipe, even though no one can say for certain who created it.

The journalist H.L. Mencken famously declared that the martini was “the only American invention as perfect as the sonnet,” and there are plenty of claimants to the title of inventor. The city of Martinez, Calif., insists the martini was first made there in 1849, for a miner who wanted to celebrate a gold strike with something “special.” Another origin story gives the credit to Jerry Thomas, the bartender of the Occidental Hotel in San Francisco, in 1867.

Actor Pierce Brosnan as James Bond, with his signature martini.
PHOTO: MGM/EVERETT COLLECTION

Of course, just as calculus was discovered simultaneously by Isaac Newton and Gottfried Leibniz, the martini may have sprung from multiple cocktail shakers. What soon made it stand out from all other gin cocktails was its association with high society. The hero of “Burning Daylight,” Jack London’s 1910 novel about a gold-miner turned entrepreneur, drinks martinis to prove to himself and others that he has “arrived.” Ernest Hemingway paid tribute to the drink in his 1929 novel “A Farewell To Arms” with the immortal line, “I had never tasted anything so cool and clean. They made me feel civilized.”

Prohibition was a golden age for the martini. Its adaptability was a boon: Even the coarsest bathtub gin could be made palatable with the addition of vermouth and olive brine (a dirty martini), a pickled onion (Gibson), lemon (twist), lime cordial (gimlet) or extra vermouth (wet). President Franklin D. Roosevelt was so attached to the cocktail that he tried a little martini diplomacy on Stalin during the Yalta conference of 1945. Stalin could just about stand the taste but informed Roosevelt that the cold on the way down wasn’t to his liking at all.

The American love affair with the martini continued in Hollywood films like “All About Eve,” starring Bette Davis, which portrayed it as the epitome of glamour and sophistication. But change was coming. In Ian Fleming’s 1954 novel “Live and Let Die,” James Bond ordered a martini made with vodka instead of gin. Worse, two years later in “Diamonds are Forever,” Fleming described the drink as being “shaken and not stirred,” even though shaking weakens it. Then again, according to an analysis of Bond’s alcohol consumption published in the British Medical Journal in 2013, 007 sometimes downed the equivalent of 14 martinis in a 24-hour period, so his whole body would have been shaking.

American businessmen weren’t all that far behind. The three-martini lunch was a national pastime until business lunches ceased to be fully tax-deductible in the 1980s. Banished from meetings, the martini went back to its roots as a mixologists’ dream, reinventing itself as a ‘tini for all seasons.

The 1990s brought new varieties that even James Bond might have thought twice about, like the chocolate martini, made with creme de cacao, and the appletini, made with apple liqueur, cider or juice. Whatever your favorite, this holiday season let’s toast to feeling civilized.

Historically Speaking: Electric Lights for Yuletide

In 1882, Thomas Edison’s business partner put up a Christmas tree decorated with 80 red, white and blue bulbs—and launched an American tradition.

The Wall Street Journal, December 5, 2019

As a quotation often attributed to Maya Angelou has it, ‘’You can tell a lot about a person by the way (s)he handles these three things: a rainy day, lost luggage and tangled Christmas tree lights.” I’m not sure what it says about me that I actually look forward to getting my hands on the latter. My house is so brightly decorated with energy-saving LEDs that it could double as a landing beacon on a foggy night. It’s the one thing I really missed when I lived abroad—no other country does Christmas lights like America. More than 80 million households put up lighting displays each December, creating a seasonal spike in U.S. energy use that’s bigger than the annual consumption of some small countries.

Holiday lights in Brooklyn, 2015. PHOTO: GETTY IMAGES

Hanging festive lighting during the winter solstice is an ancient practice, but the modern version owes its origins to Thomas Edison and his business partner Edward H. Johnson. Edison perfected the first fully functional lightbulb in 1879. For Christmas the following year, he strung up lights outside his Menlo Park factory—partly to provide good cheer but mostly to advertise the benefits of electrification. Johnson went one further in 1882, placing a Christmas tree decorated with 80 red, white and blue blinking lightbulbs on a revolving turntable in his parlor window in Manhattan.

Johnson repeated the display every year, much to the delight of New Yorkers, striving to make it bigger and better each time. He thus founded the other great American tradition: the competitive light display. The first person to take up Johnson’s challenge was President Grover Cleveland, who in 1894 erected an enormous multi-light Christmas tree in the White House, thereby starting a new presidential tradition.

The initial $300 price tag for an electrified Christmas tree (about $2,000 today) put it beyond the reach of the average consumer. The alternative was clip-on candles, but they were so hazardous that by 1910 most home insurance policies contained a nonpayment clause for house fires caused by candlelit Christmas trees. Although it was possible to rent electric Christmas lights for the season, and the General Electric Company was beginning to produce easy-to-assemble kits, the stark difference between lit and unlit homes threatened to become a powerful symbol of social inequality.

Fortunately, a New Yorker named Emilie D. Lee Herreshoff was on the case. She persuaded the city council to allow an electrified Christmas tree to be put up in Madison Square Park. The inaugural tree-lighting celebration, on December 24, 1912, generated so much public enthusiasm that within two years over 300 cities and towns were holding similar ceremonies.

Not content with just one festive tree, in 1920 the city of Pasadena, Calif., agreed to light up the 150 mature evergreens lining Santa Rosa Avenue, leading to its nickname “Christmas Tree Lane.” This was quite a feat of electrical engineering, given that outdoor Christmas lights didn’t become commercially available until 1927.

To encourage buyers, GE began sponsoring local holiday lighting contests, unleashing a competitive spirit each Yuletide that only seems to have grown stronger with the passing decades. Since 2014, the Guinness Book of World Records title for the most lights on a private residence has been held by the Gay family of LaGrangeville, N.Y., with strong competition from Australia. To which I say, “God bless them, everyone.”

Historically Speaking: Trees of Life and Wonder

From Saturnalia to Christmas Eve, people have always had a spiritual need for greenery in the depths of winter

The Wall Street Journal, December 13, 2018

Queen Victoria and family with their Christmas tree in 1848. PHOTO: GETTY IMAGES

My family never had a pink-frosted Christmas tree, though Lord knows my 10-year-old self really wanted one. Every year my family went to Sal’s Christmas Emporium on Wilshire Boulevard in Los Angeles, where you could buy neon-colored trees, mechanical trees that played Christmas carols, blue and white Hanukkah bushes or even a real Douglas fir if you wanted to go retro. We were solidly retro.

Decorating the Christmas tree remains one of my most treasured memories, and according to the National Christmas Tree Association, the tradition is still thriving in our digital age: In 2017 Americans bought 48.5 million real and artificial Christmas trees. Clearly, bringing a tree into the house, especially during winter, taps into something deeply spiritual in the human psyche.

Nearly every society has at some point venerated the tree as a symbol of fertility and rebirth, or as a living link between the heavens, the earth and the underworld. In the ancient Near East, “tree of life” motifs appear on pottery as early as 7000 B.C. By the second millennium B.C., variations of the motif were being carved onto temple walls in Egypt and fashioned into bronze sculptures in southern China.

The early Christian fathers were troubled by the possibility that the faithful might identify the Garden of Eden’s trees of life and knowledge, described in the Book of Genesis, with paganism’s divine trees and sacred groves. Accordingly, in 572 the Council of Braga banned Christians from participating in the Roman celebration of Saturnalia—a popular winter solstice festival in honor of Saturn, the god of agriculture, that included decking the home with boughs of holly, his sacred symbol.

It wasn’t until the late Middle Ages that evergreens received a qualified welcome from the Church, as props in the mystery plays that told the story of Creation. In Germany, mystery plays were performed on Christmas Eve, traditionally celebrated in the church calendar as the feast day of Adam and Eve. The original baubles that hung on these “paradise trees,” representing the trees in the Garden of Eden, were round wafer breads that symbolized the Eucharist.

The Christmas tree remained a northern European tradition until Queen Charlotte, the German-born wife of George III, had one erected for a children’s party at Windsor Castle in 1800. The British upper classes quickly followed suit, but the rest of the country remained aloof until 1848, when the London Illustrated News published a charming picture of Queen Victoria and her family gathered around a large Christmas tree. Suddenly, every household had to have one for the children to decorate. It didn’t take long for President Franklin Pierce to introduce the first Christmas tree to the White House, in 1853—a practice that every President has honored except Theodore Roosevelt, who in 1902 refused to have a tree on conservationist grounds. (His children objected so much to the ban that he eventually gave in.)

Many writers have tried to capture the complex feelings that Christmas trees inspire, particularly in children. Few, though, can rival T.S. Eliot’s timeless meditation on joy, death and life everlasting, in his 1954 poem “The Cultivation of Christmas Trees”: “The child wonders at the Christmas Tree: / Let him continue in the spirit of wonder / At the Feast as an event not accepted as a pretext; / So that the glittering rapture, the amazement / Of the first-remembered Christmas Tree /…May not be forgotten.”

WSJ Historically Speaking: The Ancient Magic of Mistletoe

The plant’s odyssey from a Greek festival to a role in the works of Dickens and Trollope

ILLUSTRATION: THOMAS FUCHS

Is mistletoe naughty or nice? The No. 1 hit single for Christmas 1952 was young Jimmy Boyd warbling how he caught “mommy kissing Santa Claus underneath the mistletoe last night.” It may very well have been daddy in costume—but, if not, that would make mistletoe very naughty indeed. For this plant, that would be par for the course.

Mistletoe, in its various species, is found all over the world and has played a part in fertility rituals for thousands of years. The plant’s ability to live off other trees—it’s a parasite—and remain evergreen even in the dead of winter awed the earliest agricultural societies. Mistletoe became a go-to plant for sacred rites and poetic inspiration.

Kissing under the mistletoe may have begun with the Greeks’ Kronia agricultural festival. Its Roman successor, the Saturnalia, combined licentious behavior with mistletoe. The naturalist Pliny the Elder, who died in A.D. 79, noticed to his surprise that mistletoe was just as sacred, if not more, to the Druids of Gaul. Its growth on certain oak trees, which the Druids believed to possess magical powers, spurred them to use mistletoe in ritual sacrifices and medicinal potions to cure ailments such as infertility.

Mistletoe’s mystical properties also earned it a starring role in the 13th-century Old Norse collection of mythical tales known as the Prose Edda. Here mistletoe becomes a deadly weapon in the form of an arrow that kills the sun-god Baldur. His mother Frigga, the goddess of love and marriage, weeps tears that turn into white mistletoe berries. In some versions, this brings Baldur back to life, carrying faint echoes of the reincarnation myths of ancient Mesopotamia. Either way, Frigga declares mistletoe to be the symbol of peace and love.

Beliefs about mistletoe’s powers managed to survive the Catholic Church’s official disapproval for all things pagan. People used the plant as a totem to scare away trolls, thwart witchcraft, prevent fires and bring about reconciliations. But such superstitions fizzled out in the wake of the Enlightenment.

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WSJ Historically Speaking: The Glory Days of Frankincense and Myrrh

Photo: PRINT COLLECTOR/GETTY IMAGES

Photo: PRINT COLLECTOR/GETTY IMAGES

The Magi, the three wise men, famously offered the baby Jesus gifts of gold, frankincense and myrrh. We can still understand why they brought gold, but what Mary and Joseph were meant to do with the frankincense and myrrh—resins derived from the Boswellia and Commiphora trees—has become less obvious.

The usual explanation for the Magi’s gifts is that they symbolized the trajectory of Jesus’ life: gold to announce his divine origins and kingship, frankincense (which was burned in religious ceremonies) to declare his future role as a priest, and myrrh (which was used in burials) to represent his suffering and death.

But to the ancients, the significance of frankincense and myrrh went far beyond their spiritual symbolism. Both commodities had played a central role in daily life since the dawn of civilization. The resins were introduced to Egypt in the third millennium B.C. from the Land of Punt (thought to have been somewhere between Ethiopia and Eritrea).

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‘WSJ Historically Speaking: Tis the Season to Stop Fighting

PETER ARKLE

PETER ARKLE

For some, a traditional Christmas means church and carols; for others, it means presents under the tree. But for countless millions, Christmas also means a day of epic family arguments. As the novelist Graham Greene once observed, “Christmas it seems to me is a necessary festival; we require a season when we can regret all the flaws in our human relationships: it is the feast of failure, sad but consoling.”

A recent survey conducted for the British hotel chain TraveLodge appears to support Greene’s gloomy contention. Two years ago, the chain noticed a sharp upswing in bookings for Christmas Day. Hoping to capitalize on the trend, its marketing department commissioned a poll of 2,500 households to see how the typical British family spends Christmas Day. The findings offered few useful insights for the company but proved a gold mine for sociologists.
The respondents revealed that, on average, the first fight of the day takes place no later than 10:13 a.m., usually after the discovery that someone has consumed all the chocolate. A lull then ensues while presents are opened and the drinks cabinet raided. At 11:42 or so, the children express their disappointment with their haul while the parents become enraged by their lack of gratitude. At noon comes a “discussion” of the level of alcohol consumption before lunch, followed by simmering tension until everyone finally sits down to eat around 2:23. The fragile truce established during the turkey carving is destroyed by a massive family row at 3:24. Exhaustion then sets in until 6:05, when tempers flare over the remote control. At 10:15, there is one final blowup before everyone goes to bed.

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